Navigating the UCLA Ballet Company Auditions: A Comprehensive Guide

Auditioning for a university ballet company can be both exciting and nerve-wracking. This guide provides a comprehensive overview of the UCLA Ballet Company audition process, helping prospective dancers prepare effectively and present their best selves. While an Interview/Audition is not always required for admittance, applicants should be prepared should they be contacted. Applicants will be contacted ONLY if more information is needed and an Interview/Audition will be required.

Initial Contact and Information

The UCLA Theater department will contact applicants ONLY if more information is needed and an Interview/Audition will be required. (An Interview/Audition is not always required for admittance. Applicants who are REQUIRED to attend an Interview/Audition will be contacted.

The Audition Day: What to Expect

The Interview/Audition process at UCLA is structured to give applicants a comprehensive opportunity to demonstrate their skills and learn more about the program. Here's a breakdown of the key components:

Information Session

A one-hour Information Session will be held for applicants and parents during the scheduled Interview/Audition period. You do NOT need to schedule additional time for the Information Session. At the Information Session you will learn about the UCLA Theater department, as well as our undergraduate curriculum. You will also have a chance to ask any questions you may have about the theater program.

Dance Routine

Under the direction of a choreographer, students will learn and perform a dance routine. Dance shoes (split sole jazz or split sole ballet) and attire are required. You will participate in a set of group movement exercises.

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Vocal Performance

Applicants should fully prepare two (2) contrasting song 'cuts', 16-32 bars each. Both songs should play to your strengths as a performer and singer; at least one song should be from a produced musical (Broadway, Off-Broadway, the West End. etc). An accompanist will be provided. You must bring sheet music in the right key for you, for each song. Your music must be in a three-ring binder, double-sided, OR in a bound music book. Loose sheets of music are not permitted. Your 'cuts' must be CLEARLY marked in your music. You will be asked to sing at least 16 bars of one or both of your prepared songs.

Monologue Presentation

Applicants should fully prepare, memorize and present two (2) 90-second monologues from published plays. Please note that monologues originating from "monologue books" or movies are strictly prohibited.

Detailed Preparation Guidelines

To maximize your chances of success during the UCLA Ballet Company auditions, meticulous preparation is essential. Here's a breakdown of the key areas to focus on:

Dance Preparation

  • Attire and Shoes: Be sure to have Dance shoes (split sole jazz or split sole ballet) and attire.

Vocal Preparation

  • Song Selection: Choose two contrasting song 'cuts', 16-32 bars each. Both songs should play to your strengths as a performer and singer; at least one song should be from a produced musical (Broadway, Off-Broadway, the West End. etc).
  • Sheet Music: Bring sheet music in the right key for you, for each song. Your music must be in a three-ring binder, double-sided, OR in a bound music book. Loose sheets of music are not permitted. Your 'cuts' must be CLEARLY marked in your music.

Monologue Preparation

  • Source Material: Applicants should fully prepare, memorize and present two (2) 90-second monologues from published plays. Please note that monologues originating from "monologue books" or movies are strictly prohibited.
  • Monologue Length: Neither prepared monologue should exceed 90 seconds. If either monologue substantially exceeds the time allotment, we will assume you cannot follow directions. If you need to cut your monologue, we recommend making cuts at the beginning or end.
  • Delivery:
    • Do NOT use an accent or dialect.
    • Please do not speak your monologue directly to the auditor, unless the auditor specifically requests that you do so. If your monologue is spoken to another character, choose a point of focus at or near eye level on the wall behind the auditors.
    • You may be stopped at any time. This is in no way a negative appraisal of your work, but rather to assure we make best use of our limited time with you.

Key Considerations and Best Practices

  • Following Directions: Pay close attention to all instructions provided by the audition panel. Adhering to time limits, monologue requirements, and other guidelines demonstrates your professionalism and ability to take direction.
  • Professionalism: Maintain a professional demeanor throughout the audition process. Be respectful of the audition panel, fellow applicants, and the space.
  • Showcase Your Strengths: Choose repertoire that highlights your individual talents and abilities. Select pieces that you connect with emotionally and that allow you to express your artistry.
  • Be Prepared for Adjustments: Be flexible and adaptable during the audition. The audition panel may ask you to make adjustments to your performance or try something different. Embrace this opportunity to demonstrate your versatility and willingness to learn.
  • Stay Calm and Focused: Auditions can be stressful, but try to stay calm and focused. Take deep breaths, trust in your preparation, and remember to enjoy the experience.

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tags: #ucla #ballet #company #auditions #repertoire

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