The University of Arizona Museum of Art: A Journey Through Centuries of Artistic Expression

The University of Arizona Museum of Art (UAMA), an integral part of the University of Arizona, stands as a vibrant hub for artistic exploration and engagement. Situated on the university's campus near Park Avenue and Speedway Boulevard in Tucson, Arizona, the museum offers a diverse array of exhibitions, programs, and events throughout the year. These initiatives are thoughtfully designed to resonate with a wide spectrum of audiences, fostering critical dialogue and underscoring the vital role of art in our lives.

UAMA's permanent collection is a testament to the enduring power of artistic creation, encompassing masterpieces that span eight centuries and a myriad of artistic styles. From iconic paintings to thought-provoking sculptures, the museum's holdings offer a rich tapestry of human expression.

A Storied Past: The Museum's Evolution

The origins of an art-focused space at the University of Arizona can be traced back to the 1930s, when a university gallery first began to take shape. This nascent collection received a significant boost from the Works Projects Administration, a New Deal agency, which donated 200 lithographs and prints created by artists supported by the program.

In 1944, Charles Leonard Pfeiffer, a University of Arizona alumnus, made a transformative gift of American paintings, further enriching the museum's holdings. This was followed by the Samuel H. Kress Collection in the early 1950s, a donation from the Samuel H. Kress Foundation, which initially comprised 50 European paintings.

The Infamous Theft of "Woman-Ochre"

The museum's history is not without its dramatic moments. On the day after Thanksgiving in 1985, a brazen act of art theft shook the institution. Shortly after the museum opened, a woman distracted a guard on the museum's staircase while a man working with her cut Willem de Kooning's "Woman-Ochre" out of its frame and hid it under his coat while the two left. Guards realized immediately afterward that the painting had been stolen. This audacious crime captivated the art world and launched a decades-long search for the missing masterpiece. Miraculously, in 2017, the painting was found by some Silver City, New Mexico, antique dealers, in the house of a woman who had died, and returned to the museum shortly afterwards. The recovery and return of "Woman-Ochre" stands as a testament to the enduring power of art and the unwavering dedication of those who seek to preserve it.

Exploring the Permanent Collection: Highlights and Key Acquisitions

The University of Arizona Museum of Art boasts a diverse permanent collection, showcasing a wide range of artistic styles and periods. Among its many treasures, several key collections and individual works stand out as highlights.

The Samuel H. Kress Collection

Donated in the early 1950s, the Samuel H. Kress Collection comprises more than 60 European works from the 14th through 19th centuries. This collection provides a glimpse into the artistic traditions of Europe over several centuries.

The Retablo of the Cathedral of the Ciudad Rodrigo

A centerpiece of the Kress Collection is the 26-panel Retablo of the Cathedral of the Ciudad Rodrigo by Fernando Gallego and Maestro Bartolomé. A retablo is a church altarpiece with a picture or relief on a religious subject. These panels, originally from Ciudad Rodrigo, depict scenes from Genesis, the Life of Christ, and the Last Judgment. Arizona Public Media produced a one-hour documentary on the panels, which were originally from Ciudad Rodrigo and include depictions of the creation according to Genesis, the Life of Christ, and the Last Judgment, tracing the retablo through earthquakes, damage from the Napoleonic War, a trans-Atlantic voyage, and storage in a bunker during the Second World War. Scholars regard the panels "considered by scholars to be some of the most beautiful and iconographical ambitious paintings of the 15th century." The collection was first revealed to the public during the three-day inauguration ceremony of University of Arizona President Richard A. Harvill.

The C. Leonard Pfeiffer Collection

The C. Leonard Pfeiffer Collection, donated in 1944 by Charles Leonard Pfeiffer, features a selection of American paintings that capture the essence of the nation's artistic heritage.

The Edward J. Gallagher III Memorial Collection

The Edward J. Gallagher III Memorial Collection encompasses over 200 European and American works from the late 19th and 20th centuries, offering a broad survey of modern and contemporary art. The expansion of the museum's permanent collection of the museum is funded by the Edward J. Gallagher, Jr. Memorial Bequest, an endowment which has funded museum acquisitions since 1980. "The Modern Spirit: Selections from the Edward J. Gallagher III Memorial Collection" showcases some of the collection.

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The Robert Priseman Collection

The Robert Priseman Collection is a thought-provoking and unconventional collection that includes 71 paintings by the British artist Robert Priseman. The collection comprises 71 of the one hundred damaged religious icons Priseman purchased from eBay between 2011 - 2012 and over-painted with a 20th-century celebrity who died prematurely from suicide or as a result of a self-destructive lifestyle. The over-painting seeks to mimic the replacement in contemporary culture of faith with fame and of saints with ‘stars’, exploring Jarvis Cocker’s idea that people believe fame is a kind of heaven that can “sort things out”, focusing on those amongst the celebrated who are troubled and at times unable to cope with the pressures of modern living. This series was originally exhibited at Art Exchange, Colchester, England in 2013, WhiteBox Art Center, New York in 2014 and St Marylebone Crypt, London in 2015. Portraits held in the UAMA Collection include Virginia Woolf, Amy Winehouse, Frida Kahlo, Billie Holiday, Diane Arbus, Richard Gerstl, Marilyn Monroe, Hunter S. Thompson, Ernest Hemingway and Jean-Michel Basquiat.

The Jacques and Yulla Lipchitz Collection: Sketches and Models

The Jacques and Yulla Lipchitz Collection: Sketches and Models, which features Jacques Lipchitz and includes 60 plaster and clay models, tools from his studio, and several portrait busts and full sculptures. The works range from 1911 to 1971.

Iconic Works

Beyond these collections, UAMA is home to several individual works of art that have become synonymous with the museum. These include:

The Altarpiece from Ciudad Rodrigo: A masterpiece of Spanish Renaissance art.
The Visitation by the Master of the Catholic Kings: A captivating depiction of a biblical scene.
Willem de Kooning's "Woman-Ochre": An abstract expressionist painting with a remarkable history of theft and recovery.
Jackson Pollock's "Number 20": A quintessential example of Pollock's drip painting technique.
Mark Rothko's "Green on Blue (Earth-Green and White)": A mesmerizing exploration of color and form.
Red Canna by Georgia O’Keeffe: A vibrant and sensual representation of a flower.

Beyond the Galleries: Research and Community Engagement

Archive of Visual Arts (AVA)

The research arm of the museum is the Archive of Visual Arts (AVA). The archive received its first major contribution with Robert McCall's gift of over 200 paintings and drawings to the museum. The gift was announced in 2007 by McCall, who estimated the value of the works to be between $2.5 million and $3 million.

MOCA's "Frequencies" Exhibition

The sun had just set on the city of Tucson, but the lights did not go out at the Museum of Contemporary Art. They all gathered to celebrate Feb. 28, the opening day of MOCA’s most recent exhibition. The result is an immersive experience. Through the efforts of many different artists, “Frequencies” creates wholly unique art installations that provide experiences most art exhibits do not. MOCA also provides several interactive exhibits. Benches line half of the space, with embedded headphones that play experimental musical pieces. The other half features genuine vinyl record players with a rack of vinyl records. The most tactile experience was Karmia Walker’s “Graves for the Rain.” Fluvial soil from the basin of the Santa Cruz River is sculpted into a shape on the ground of a large, rectangular space. “We have free admission on Sundays and special openings. That is thanks to the community donors,” Yeager said. Visitors to MOCA are not just residents of Tucson. “Anything to do with sound or music, I’m interested in,” he said. MOCA’s “Frequencies” exhibition will be on display through June 29.

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Planning Your Visit: Tips and Practical Information

To make the most of your visit to the University of Arizona Museum of Art, consider these helpful tips:

Timing Your Visit

Beat the crowds: Opt for weekdays, especially mornings, for a more peaceful viewing experience. Weekends tend to be busier.
Check for special student exhibitions: These events can attract larger groups.

Navigating Parking & Access

Parking: Street parking near the museum can be challenging. A nearby parking garage is recommended for convenience.
Alternative transportation: Consider public transport or rideshares if parking is a concern. Walking is a great option if you're already on or near the University of Arizona campus. The campus is served by several public bus routes.

Admission and Discounts

Admission fees: Admission fees apply, but they are generally considered reasonable for the quality of exhibitions. Admission is free to UA students, faculty, and staff with student ID.
Discounts: Inquire about potential discounts for students, seniors, or members.
Online ticket purchase: Check if online ticket purchasing is available for added convenience.
Membership: An annual membership can offer great value if you plan to visit multiple times.

Onsite Experience

Diverse collection: Explore the museum's diverse collection, spanning Renaissance to 20th-century works, including contemporary pieces, sculptures, Surrealist art, and community-focused exhibitions.
Guided tours: Opt for a guided tour to enhance your understanding and appreciation of the art.
Photography: Personal, non-flash photography is generally allowed for many permanent collection pieces. Check signage or ask staff for specific exhibition rules. Flash photography is typically prohibited to protect the artworks.

Tailored Advice for Different Travelers

Families with Kids

The University of Arizona Museum of Art can be a great outing for families, especially if your children have an interest in art. The manageable size means kids won't get overwhelmed. Focus on specific pieces that might capture their imagination, like the story behind the 'Woman-Ochre' painting or visually striking sculptures. The outdoor courtyard also offers a space for kids to move around a bit while still being exposed to art. Look out for any interactive elements or family-friendly programming that might be available during your visit.

Art Enthusiasts & Connoisseurs

For serious art lovers, the University of Arizona Museum of Art offers a curated experience with significant pieces. The presence of Willem de Kooning's 'Woman-Ochre,' with its dramatic recovery story, is a major draw. You'll also find works by other notable artists like Mark Rothko and Robert Colescott, alongside a well-selected collection of Renaissance and 20th-century art. The museum's commitment to showcasing MFA student work means you can discover cutting-edge contemporary art. Allow ample time to absorb the details and appreciate the artistic merit of the collection.

Students & Academics

As an academic art museum on the University of Arizona campus, UAMA is a valuable resource for students and faculty. It provides a tangible connection to art history and contemporary art practices, often complementing coursework. The museum's regular exhibitions of MFA student work offer a direct look at the creative process and emerging talent within the university. Students may find discounted admission or membership options. Engaging with the collections can offer fresh perspectives for research papers, studio projects, or simply broadening one's cultural understanding.

Deep Dives: Unveiling the Museum's Treasures

The 'Woman-Ochre' Story

The University of Arizona Museum of Art is home to a truly remarkable piece of art history: Willem de Kooning's 'Woman-Ochre.' This painting was famously stolen from the museum in 1985 and remained missing for over 30 years. Its disappearance became one of the art world's most enduring mysteries. The painting was eventually discovered in 2017 in a New Mexico home, leading to its triumphant return to Tucson. The story of its theft and recovery adds a layer of intrigue to an already significant artwork. Visitors often express awe at seeing this recovered masterpiece in person. The fact that it was stolen and then found adds a unique narrative to the viewing experience. It's a testament to the museum's dedication to its collection and a thrilling chapter in its history. The 'Woman-Ochre' is not just a painting; it's a symbol of resilience and the enduring power of art.

Exploring the Diverse Collections

The University of Arizona Museum of Art (UAMA) houses a surprisingly diverse collection for its size. While it may not be as vast as larger institutions, the curation is excellent, offering a rich journey through art history. You'll find pieces that span from the Renaissance period, showcasing classical techniques and subjects, to 20th-century modern art, including abstract expressionism and surrealism. Beyond the historical breadth, UAMA is also committed to contemporary relevance. They frequently feature exhibitions of MFA students from the University of Arizona's School of Art, providing a platform for emerging talent and showcasing innovative artistic practices. Additionally, the museum has hosted impactful shows highlighting community-based art and queer artists, demonstrating a commitment to inclusivity and diverse voices. This blend of historical depth and contemporary engagement makes UAMA a dynamic and engaging destination for any art enthusiast.

Beyond the Galleries: Outdoor Art and Courtyard

Even before stepping inside the main galleries, visitors can enjoy art at the University of Arizona Museum of Art. The museum features a lovely courtyard and outdoor sculpture garden that are accessible and free to explore. These spaces offer a refreshing break and a chance to appreciate art in a different setting. The outdoor installations often include a variety of sculptures, adding visual interest to the campus environment. It's a great spot for a leisurely stroll, a moment of quiet contemplation, or even a casual photo opportunity. This accessible art experience complements the indoor collections, making the museum a well-rounded cultural destination.

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